arrive. The Ladies from the Ladies' Betterment League
Arrive in the afternoon, the late light slanting
In diluted gold bars across the boulevard brag
Of proud, seamed faces with mercy and murder hinting
Here, there, interrupting, all deep and debonair,
The pink paint on the innocence of fear;
Walk in a gingerly manner up the hall.
Cutting with knives served by their softest care,
Served by their love, so barbarously fair.
Whose mothers taught: You'd better not be cruel!
You had better not throw stones upon the wrens!

NOT in the sky,
Where it was seen
So long in eminence of light serene,—
Nor on the white tops of the glistering wave,
Nor down in mansions of the hidden deep,
Though beautiful in green
And crystal, its great caves of mystery,—
Shall the bright watcher have
Her place, and, as of old, high station keep!

Gone! gone!
Oh! nevermore, to cheer
The mariner, who holds his course alone
On the Atlantic, through the weary night,
When the stars turn to watchers, and do sleep,
Shall it again appear,

This is the sorrowful story
Told when the twilight fails
And the monkeys walk together
Holding their neighbours' tails: --

"Our fathers lived in the forest,
Foolish people were they,
They went down to the cornland
To teach the farmers to play.

"Our fathers frisked in the millet,
Our fathers skipped in the wheat,
Our fathers hung from the branches,
Our fathers danced in the street.

"Then came the terrible farmers,
Nothing of play they knew,
Only. . .they caught our fathers
And set them to labour too!

St. Austin, going in thought
Along the sea-sands gray,
Into another world was caught,
And Carthage far away.

He saw the City of God
Hang in the saffron sky;
And this was holy ground he trod,
Where mortals come not nigh.

He saw pale spires aglow,
Houses of heavenly sheen;
All in a world of rose and snow,
A sea of gold and green.

There amid Paradise
The saint was rapt away
From unillumined sands and skies
And floor of muddy clay.

His soul took wings and flew,
Forgetting mortal stain,

The laughter of women sets fire
to the Halls of Injustice
and the false evidence burns
to a beautiful white lightness

It rattles the Chambers of Congress
and forces the windows wide open
so the fatuous speeches can fly out

The laughter of women wipes the mist
from the spectacles of the old;
it infects them with a happy flu
and they laugh as if they were young again

Prisoners held in underground cells
imagine that they see daylight
when they remember the laughter of women

It runs across water that divides,

'O WHICH is the last rose?'
A blossom of no name.
At midnight the snow came;
At daybreak a vast rose,
In darkness unfurl'd,
O'er-petall'd the world.

Its odourless pallor
Blossom'd forlorn,
Till radiant valour
Establish'd the morn--
Till the night
Was undone
In her fight
With the sun.

The brave orb in state rose,
And crimson he shone first;
While from the high vine
Of heaven the dawn burst,
Staining the great rose
From sky-line to sky-line.

The red rose of morn

I.

I said---Then, dearest, since 'tis so,
Since now at length my fate I know,
Since nothing all my love avails,
Since all, my life seemed meant for, fails,
Since this was written and needs must be---
My whole heart rises up to bless
Your name in pride and thankfulness!
Take back the hope you gave,---I claim
---Only a memory of the same,
---And this beside, if you will not blame,
Your leave for one more last ride with me.

II.

My mistress bent that brow of hers;
Those deep dark eyes where pride demurs

And night and distant rumbling; now the army's
carrier-train was moving out, to war.
He looked up from the harpsichord, and as
he went on playing, he looked across at her

almost as one might gaze into a mirror:
so deeply was her every feature filled
with his young features, which bore his pain and were
more beautiful and seductive with each sound.

Then, suddenly, the image broke apart.
She stood, as though distracted, near the window
and felt the violent drum-beats of her heart.

I hear that the Commune di Padova has an exhibition of master-
pieces from Giotto to Mantegna. Giotto is the master of angels, and
Mantegna is the master of the dead Christ, one of the few human
beings who seems to have understood that Christ did indeed come
down from the cross after all, in response to the famous jeering
invitation, and that the Christ who came down was a cadaver. Man-
tegna's dead Christ looks exactly like a skidroad bum fished by the
cops out of the Mississippi in autumn just before daylight and hurried

In the dawn of the day, when the sea and the earth
Reflected the sunrise above,
I set forth, with a heart full of courage and mirth,
To seek for the Kingdom of Love.
I asked of a Poet I met on the way,
Which cross-road would lead me aright,
And he said: "Follow me, and ere long you will see
Its glistening turrets of Light."

And soon in the distance a city shone fair;
"Look yonder," he said, "there it gleams!"
But alas! for the hopes that were doomed to despair,
It was only the Kingdom of Dreams.