I

O wild West Wind, thou breath of Autumn's being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,

Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed

The winged seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow

Her clarion o'er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)

Come on in and stay a while
I'll photograph you emerging from the revolving door
like Frank O'Hara dating the muse of modern art
Talking about the big Pollock show is better
than going to it on a dismal Saturday afternoon
when my luncheon partner is either the author or the subject
of The Education of Henry Adams at a hard-to-get-
a-table-at restaurant on Cornelia Street
just what is chaos theory anyway
I'm not sure but it helps explain "Autumn Rhythm"
the closest thing to chaos without crossing the border

O parent of each lovely Muse,
Thy spirit o'er my soul diffuse,
O'er all my artless songs preside,
My footsteps to thy temple guide.
To offer at thy turf-built shrine,
In golden cups no costly wine,
No murder'd fatling of the flock,
But flowers and honey from the rock.
O Nymph with loosely-flowing hair,
With buskin'd leg, and bosom bare,
Thy waist with myrtle-girdle bound,
Thy brows with Indian feathers crown'd,
Waving in thy snowy hand
An all-commanding magic wand,
Of pow'r to bid fresh gardens blow,

If aught of oaten stop, or pastoral song,
May hope, chaste Eve, to soothe thy modest ear,
Like thy own solemn springs,
Thy springs and dying gales,
O nymph reserv'd, while now the bright-hair'd sun
Sits in yon western tent, whose cloudy skirts,
With brede ethereal wove,
O'erhang his wavy bed:
Now air is hush'd, save where the weak-ey'd bat,
With short shrill shriek, flits by on leathern wing,
Or where the beetle winds
His small but sullen horn,

If aught of oaten stop or pastoral song
May hope, chaste Eve, to soothe thy modest ear,
Like thy own solemn springs,
Thy springs, and dying gales,
O nymph reserved, while now the bright-haired sun
Sits in yon western tent, whose cloudy skirts,
With brede ethereal wove,
O'erhang his wavy bed:

Now air is hushed, save where the weak-eyed bat
With short shrill shriek flits by on leathern wing,
Or where the beetle winds
His small but sullen horn,
As oft he rises 'midst the twilight path,
Against the pilgrim borne in heedless hum:

The forest holds high carnival to-day,
And every hill-side glows with gold and fire;
Ivy and sumac dress in colors gay,
And oak and maple mask in bright attire.

The hoarded wealth of sober autumn days
In lavish mood for motley garb is spent,
And nature for the while at folly plays,
Knowing the morrow brings a snowy Lent.

Across the land a faint blue veil of mist
Seems hung; the woods wear yet arrayment sober
Till frost shall make them flame; silent and whist
The drooping cherry orchards of October
Like mournful pennons hang their shrivelling leaves
Russet and orange: all things now decay;
Long since ye garnered in your autumn sheaves,
And sad the robins pipe at set of day.

Now do ye dream of Spring when greening shaws
Confer with the shrewd breezes, and of slopes
Flower-kirtled, and of April, virgin guest;

I eat oatmeal for breakfast.
I make it on the hot plate and put skimmed milk on it.
I eat it alone.
I am aware it is not good to eat oatmeal alone.
Its consistency is such that is better for your mental health
if somebody eats it with you.
That is why I often think up an imaginary companion to have
breakfast with.
Possibly it is even worse to eat oatmeal with an imaginary
companion.
Nevertheless, yesterday morning, I ate my oatmeal porridge,
as he called it with John Keats.

Not less light shall the gold and the green lie
On the cyclonic curl and diamonded eye, than
Love lay yesterday on the breast like a beast.
Not less light shall God tread my maze of nerve
Than that great dread of tomorrow drove over
My maze of days. Not less terrible that tread
Stomping upon your grave than I shall tread there.
Who is a god to haunt the tomb but Love?

Therefore I shall be there at morning and midnight,
Not with a straw in my hair and a tear as Ophelia
Floating along my sorrow, but I shall come with

O were my Love yon lilac fair,
   Wi' purple blossoms to the spring,
And I a bird to shelter there,
   When wearied on my little wing;
How I wad mourn when it was torn
   By autumn wild and winter rude!
But I wad sing on wanton wing
   When youthfu' May its bloom renew'd.

O gin my Love were yon red rose
   That grows upon the castle wa',
And I mysel a drap o' dew,
   Into her bonnie breast to fa';
O there, beyond expression blest,