Immeasurable haze:
The desert valley spreads
Up golden river-beds
As if in other days.
Trees rise and thin away,
And past the trees, the hills,
Pure line and shade of dust,
Bear witness to our wills:
We see them, for we must;
Calm in deceit, they stay.

High noon returns the mind
Upon its local fact:
Dry grass and sand; we find
No vision to distract.
Low in the summer heat,
Naming old graves, are stones
Pushed here and there, the seat
Of nothing, and the bones
Beneath are similar:
Relics of lonely men,

If, dumb too long, the drooping Muse hath stay'd,
And left her debt to Addison unpaid;
Blame not her silence, Warwick, but bemoan,
And judge, oh judge, my bosom by your own.
What mourner ever felt poetic fires!
Slow comes the verse that real woe inspires:
Grief unaffected suits but ill with art,
Or flowing numbers with a bleeding heart.

Can I forget the dismal night, that gave
My soul's best part for ever to the grave!
How silent did his old companions tread,
By midnight lamps, the mansions of the dead,

Thy purpose, heavenly stranger, who may tell
But Him, who linked thee to the starry whole?
Wherefore, in this our darkness, be it ours
To must upon thee in thy high career,
As of some wandering symphony from amidst
Those highest stellar harmonies that track
Through infinite space and the great rounds of time
The mighty marches of creation.
Behold, how high thou travellest in heaven!
Myriads of wondering human spirits here,
Duly each night with upturned looks seek out
The mystery of thy advent.
In thy last

"Lo I, the man who erst the Muse did ask
Her deepest notes to swell the Patriot's meeds,
Am now enforst a far unfitter task
For cap and gown to leave my minstrel weeds,"
For yon dull noise that tinkles on the air
Bids me lay by the lyre and go to morning prayer.

Oh how I hate the sound! it is the Knell,
That still a requiem tolls to Comfort's hour;
And loth am I, at Superstition's bell,
To quit or Morpheus or the Muses bower.
Better to lie and dose, than gape amain,
Hearing still mumbled o'er, the same eternal strain.

I.

Alone on a hillside of heather,
I lay with dark thoughts in my mind,
In the midst of the beautiful weather
I was deaf, I was dumb, I was blind.
I knew not the glories around me,
I counted the world as it seems,
Till a spirit of melody found me,
And taught me in visions and dreams.


II.

For the sound of a chorus of voices
Came gathering up from below,
And I heard how all Nature rejoices,
And moves with a musical flow.
O strange! we are lost in delusion,
Our ways and doings are wrong,

CITY, I never told you yet—
O little City, let me tell—
A secret woven of your wiles,
Dear City with the angel face,
And you will hear with frowning grace,
Or will you break in summer smiles?

This is the secret, little town,
Lying so lightly towards the sea;
City, my secret has no art,
Dear City with the golden door;
But oh, the whispers I would pour
Into your ears—into your heart!

You are my lover, little place,
Lying so sweetly all alone.

In SENSIBILITY'S lov'd praise
I tune my trembling reed,
And seek to deck her shrine with bays,
On which my heart must bleed!

No cold exemption from her pain
I ever wish to know;
Cheer'd with her transport, I sustain
Without complaint her woe.

Above whate'er content can give,
Above the charm of ease,
The restless hopes and fears, that live
With her, have power to please.

Where, but for her, were Friendship's power
To heal the wounded heart,
To shorten sorrow's ling'ring hour,
And bid its gloom depart?

There is delight in singing, though none hear
Beside the singer; and there is delight
In praising, though the praiser sits alone
And see the praised far off him, far above.
Shakespeare is not our poet, but the world's,
Therefore on him no speech! and brief for thee,
Browning! Since Chaucer was alive and hale
No man hath walked along our roads with step
So active, so inquiring eye, or tongue
So varied in discourse. But warmer climes
Give brighter plumage, stronger wing; the breeze
Of Alpine heights thou playest with, borne on

Here on the pale beach, in the darkness;
With the full moon just to rise;
They sit alone, and look over the sea,
Or into each other's eyes. . .

She pokes her parasol into the sleepy sand,
Or sifts the lazy whiteness through her hand.

'A lovely night,' he says, 'the moon,
Comes up for you and me.
Just like a blind old spotlight there,
Fizzing across the sea!'

She pays no heed, nor even turns her head:
He slides his arm around her waist instead.

'Why don't we do a sketch together--

At four o'clock in late October
I sat alone in the country school-house
Back from the road 'mid stricken fields,
And an eddy of wind blew leaves on the pane,
And crooned in the flue of the cannon-stove,
With its open door blurring the shadows
With the spectral glow of a dying fire.
In an idle mood I was running the planchette --
All at once my wrist grew limp,
And my hand moved rapidly over the board,
Till the name of "Charles Guiteau" was spelled,
Who threatened to materialize before me.
I rose and fled from the room bare-headed