Birth date
12/24/1818
Death date
09/23/1889
Birth town
London Road
Country
Southwark
Poems by this Poet
Displaying 51 - 60 of 107
| Title | Post date | Rating | Comments |
|---|---|---|---|
| Old Pincher | 0 | ||
| Song of the Rushlight | 0 | ||
| Winter | 0 | ||
| The Mother who has a Child at Sea | 0 | ||
| Song of the Sea-Gulls | 0 | ||
| Spring | 0 | ||
| The Boat-Cloak | 0 | ||
| The Free | 0 | ||
| Through the Waters | 0 | ||
| The Quiet Eye | 0 |
Eliza Cook was an English author, Chartist poet and writer born in London Road, Southwark
Background
She was the daughter of a local tradesman. She attended the local Sunday Schools and was encouraged by the son of the music master to produce her first volume of poetry. From this she took confidence and in 1837 began to offer verse to the radical Weekly Dispatch, then edited by William Johnson Fox. She was a staple of its pages for the next ten years. She also offered material to The Literary Gazette, Metropolitan Magazine and New Monthly.
Work
Her work for the Dispatch and New Monthly was later pirated by George Julian Harney, the Chartist, for the Northern Star. Familiar with the London Chartist movement, in its various sects, she followed many of the older radicals in disagreeing with the O'Brienites and O'Connorites in their disregard for repeal of the Corn Laws. She also preferred the older Radicals' path of Friendly Societies and self-education.
In 1835 while only seventeen years of age she published her first volume titled Lays of a Wild Harp. In 1838 she published Melaia and other Poems, and from 1849 to 1854 wrote, edited, and published Eliza Cook's Journal, a weekly periodical she described as one of "utility and amusement." Cook also published Jottings from my Journal (1860), and New Echoes (1864); and in 1863 she was given a Civil List pension income of £100 a year.
Her poem The Old Armchair (1838) made hers a household name for a generation, both in England and in America. Cook was a proponent of political and sexual freedom for women, and believed in the ideology of self-improvement through education, something she called "levelling up." This made her great favourite with the working-class public. Her works became a staple of anthologies throughout the century. She died in Wimbledon.
Eliza Cook's Works:
The Fair Rose of Killarney - A Ballad - By Miss Eliza Cook - Music by Stephen Glover (New-York Mirror Saturday 29 June 1839 pp 32
Her article "People Who Do Not Like Poetry" (May 1849) can be found in the book A Serious Occupation: Literary Criticism by Victorian Women Writers
Background
She was the daughter of a local tradesman. She attended the local Sunday Schools and was encouraged by the son of the music master to produce her first volume of poetry. From this she took confidence and in 1837 began to offer verse to the radical Weekly Dispatch, then edited by William Johnson Fox. She was a staple of its pages for the next ten years. She also offered material to The Literary Gazette, Metropolitan Magazine and New Monthly.
Work
Her work for the Dispatch and New Monthly was later pirated by George Julian Harney, the Chartist, for the Northern Star. Familiar with the London Chartist movement, in its various sects, she followed many of the older radicals in disagreeing with the O'Brienites and O'Connorites in their disregard for repeal of the Corn Laws. She also preferred the older Radicals' path of Friendly Societies and self-education.
In 1835 while only seventeen years of age she published her first volume titled Lays of a Wild Harp. In 1838 she published Melaia and other Poems, and from 1849 to 1854 wrote, edited, and published Eliza Cook's Journal, a weekly periodical she described as one of "utility and amusement." Cook also published Jottings from my Journal (1860), and New Echoes (1864); and in 1863 she was given a Civil List pension income of £100 a year.
Her poem The Old Armchair (1838) made hers a household name for a generation, both in England and in America. Cook was a proponent of political and sexual freedom for women, and believed in the ideology of self-improvement through education, something she called "levelling up." This made her great favourite with the working-class public. Her works became a staple of anthologies throughout the century. She died in Wimbledon.
Eliza Cook's Works:
The Fair Rose of Killarney - A Ballad - By Miss Eliza Cook - Music by Stephen Glover (New-York Mirror Saturday 29 June 1839 pp 32
Her article "People Who Do Not Like Poetry" (May 1849) can be found in the book A Serious Occupation: Literary Criticism by Victorian Women Writers