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[**The cut-up technique is an aleatory literary technique in
which a text 
is cut up and rearranged to create a new text]
 

for two,

Agnes Martin, American artist, 
minimalist painter extraordinaire 

Elaine Bellezza, artist, too, 
and traveler, 
and early Anima-as-Fate, 
and 'eye giver'



Is that dance slowing in the mind of man 
that made him think the universe could hum?- Theodore Roethke


This is withholding art, 
evading disclosure, declining 
to give itself away. - Tiffany Bell** 



1

off the square
in the darkest cell
where darkness is at its deepest -

some sense of home

those forms bursting forth


2

seal us in
ascetic fire -

and the cave become a dissonance
the lament on your face of saffron reddening


3

but the grids never are
little girls jumping rope

challenge circle words, 

the self of rings


like a brown back

the empty form goes

extends outward


yet these words do not contain you


4

you have an 'element'

the word is ugly too
dearer than a son
cut cut cut out 
the heart that lies

walking seems to cover time

the summit is rounded

outline of a foot on a rock


5

you speak in circles
though loving squares

when I cover squares clad in ashes 
are all questions then mother of pearl


6

the pilaster speaks
loudly of days 

dearer than wealth
the silence on the floor


7

discover the last image

how skim the ocean of brine
you wear on your face
that gray weight 


die for more

this is life 


8

the plain can do almost 
nothing but weep

to turn my eyes away
destroys its power

the untamed fire


9

between the rain
whose throat is blue
like a wild fern is clear

I am sad when I see you


10

your letters arrive fat
swollen with human form

they fly out from my palms

look around you


11

mind now 
mistaken 

dying flowers 
not traceable

instead -

believe the sky is not so wide

it reaches forward

(let us pass)  

it is a far cry

is pervasive


get rid of everything

only see in me a part 


12

tell me now
glass-handled knives
I'm not clear where we started


13

the pagoda and the spire
poke the eye
I once understood you as 
articulate who couldn't stand

now knowledge is less and less to 

me 

and a clear mind -


the rose
are squared

white edge
of the world 

ugly

sitting in
snow


14

where dispose of the joke of bones

one must feel the forms 
bursting in the tranquil shade
the reality of virtual form
sitting in said snow

the beat of a wing we grieve
certain words repeating -

the world 'ugly'

and just is the 'plain'


what becomes of skin

what becomes of a lotus petal


it tears apart


15

believe the streets are blistering 

Nature is the wheel

settle for less 

some sense of home





look around you

those forms bursting forth

they fly out from my palms


between the rain

like a wild fern is clear

whose throat is blue


declining to give itself away



16
 
declining to give itself away

believe the streets are blistering
 

look around you

Nature is the wheel
 

they fly out from my palms
 

settle for less

like a wild fern is clear
 

some sense of home

whose throat is blue
 

those forms bursting forth

between the rain

>>>>>>>>


**Tiffany Bell, describing the minimalist
art of American painter Agnes Martin.
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