The Melon

There was a melon fresh from the garden
So ripe the knife slurped
As it cut it into six slices.
The children were going back to school.
Their mother, passing out paper plates,
Would not live to see the leaves fall.

I remember a hornet, too, that flew in
Through the open window
Mad to taste the sweet fruit
While we ducked and screamed,
Covered our heads and faces,
And sat laughing after it was gone.

Perishable, It Said

Perishable, it said on the plastic container,
and below, in different ink,
the date to be used by, the last teaspoon consumed.

I found myself looking:
now at the back of each hand,
now inside the knees,
now turning over each foot to look at the sole.

Then at the leaves of the young tomato plants,
then at the arguing jays.

Under the wooden table and lifted stones, looking.
Coffee cups, olives, cheeses,
hunger, sorrow, fears —
these too would certainly vanish, without knowing when.

Personal

Don"t take it personal, they said;
but I did, I took it all quite personal —

the breeze and the river and the color of the fields;
the price of grapefruit and stamps,

the wet hair of women in the rain —
And I cursed what hurt me

and I praised what gave me joy,
the most simple-minded of possible responses.

The government reminded me of my father,
with its deafness and its laws,

and the weather reminded me of my mom,
with her tropical squalls.

The Simulacra

They were driving into the mountains, suddenly married,
sometimes touching each other"s cheek with a fingernail
gingerly: the radio played ecstatic static: certain roads
marked with blue enamel numbers led to cloud banks,
or basalt screes, or dim hotels with padlocked verandas.
Sometimes they quarreled, sometimes they grew old,
the wind was constant in their eyes, it was their own wind,
they made it. Small towns flew past, Rodez, Albi,
limestone quarries, pear orchards, children racing
after hoops, wobbling when their shadows wavered,

The Mother's Loathing of Balloons

I hate you,
How the children plead
At first sight —

I want, I need,
I hate how nearly
Always I

At first say no ,
And then comply.
(Soon, soon

They will grow bored
Clutching your
Umbilical cord) —

Over the moon,
Lighter-than-air,
Should you come home,

They"d cease to care —
Who tugs you through
The front door

On a leash, won"t want you
Anymore
And will forget you

On the ceiling —
Admittedly,
A giddy feeling —

Sales

Miguel might, if he speaks English, call the colors
of ukuleles stretching their necks from yards
of canvas duffel yoked across his shoulders,
auroral azul, cherry pop, or mojito green,
under this Pac Heights sky where the awful rich
snap their heels past shop windows, past goatskin bags
and spiked heels that bring them closer to heaven,
fibristic sheets of celadon paper from Zhejiang,
FIAT cremini, and Cinco de Mayo gelato.
Smiling past them, he passes with his happy load,
a display model whole and nude in his hand,

Big City Speech

Use me
Abuse me
Turn wheels of fire
on manhole hotheads

Sing me
Sour me
Secrete dark matter"s sheen
on our smarting skin

Rise and shine
In puddle shallows
under every Meryl Cheryl Caleb Syd
somnambulists and sleepyheads

Wake us
Speak to us
Bless what you"ve nurtured in your pits
the rats voles roaches and all outlivers
of your obscene ethic and politics

Crawl on us

Auspices

In siftings of chromatic sediment
Shed by the winter hours as they decay,
With slow descent
Light settles through the lower sky in peach,
Then mauve, then pale self-abnegating gray
Against the water, now that day is spent
At Bennetts Beach,

Under the high withdrawing blueness, band
On band, like layers in a decorative
Bottle of sand,
Enclosed beneath the heavens" dome, as though
This were the perfect realm in which to live,
Preserved, unburdened by the least demand,
Or wish, to know —

Advent

In front of the craft shop,
a small nativity,
mother, baby, sheep
made of white
and blue balloons.

*

Sky
god
girl.
Pick out the one
that doesn"t belong.

*

Some thing
close to nothing
flat
from which,
fatherless,
everything has come.

Procedures

The palm tree exposes
a large number
of loose, carved spines

out of pleasure?

Boredom?

*

To start over
in the carved moment
is to take cover.

*

A solid short woman
in a pink wool suit

proceeds —
anxiously? doggedly?

alone

up a sidewalk
laid down for her.

(We don"t believe it.)

There are two kinds
of choices,

pirate sources say:

unconscious
and desperate.

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